Norrsundet

用法例句

A Tendency of Mendelssohn s "Songs without Words" Performed in the Style of Vocal Music;

门德尔松《无词歌》的器乐声乐化倾向

Mendelssohn and the Main Piano Work Studies 《Variations Seriuses》 (op.54);

门德尔松钢琴作品《严肃变奏曲》（op.54）探究

On Grasping the Characteristics of Musical Style in Mendelssohn's Funeral March

浅议门德尔松《葬礼进行曲》音乐风格的特性

One of Mendelsohn's masterpieces;

门德尔松的一部代表作，

Moses Mendelssohn, the grandfather of the well-known German composer, was far from being handsome.

德国著名作曲家门德尔松的祖父摩西·门德尔松长得其貌不扬。

Discussion about the Beauty in the Form of Mendelssohn s Songs without Words;

论门德尔松《无词歌》的“形式美”

On Mendelssohn s Lieder Ohne Worte and art meanings;

论门德尔松的“无言歌”体及其艺术意义

The realizer of the romantic music Mendelssohn;

浪漫主义音乐的感悟者——门德尔松

A Tendency of Mendelssohn s "Songs without Words" Performed in the Style of Vocal Music;

门德尔松《无词歌》的器乐声乐化倾向

Comments on the Third (Scotland) Symphony of Mendelssohn

门德尔松第三(苏格兰)交响曲评析

On Mendelssohn s Judaism and Toleration;

门德尔松的犹太教观和宗教宽容观述评

Mendelssohn and the Main Piano Work Studies 《Variations Seriuses》 (op.54);

门德尔松钢琴作品《严肃变奏曲》（op.54）探究

Art Styles and Thoughts of Mendelssohn s Piano Works;

论门德尔松钢琴作品的艺术风格与创作思想

On Grasping the Characteristics of Musical Style in Mendelssohn's Funeral March

浅议门德尔松《葬礼进行曲》音乐风格的特性

On the Performance Skills of Mendelssohn' Mass in b Minor,Op.54

门德尔松《d小调庄严变奏曲》op.54演奏技巧

She reached out and gave Mendelssohn her hand and later became his devoted wife.

她伸出手,答应了门德尔松的求婚。 后来,成为了他忠诚的妻子。

The islands of Scotland inspired Mendelssohn to write some lovely music.

苏格兰的岛屿给门德尔松灵感，使他写出了一些优美的乐曲。

Performance Feature and Teaching Significance of Mendelssohn's "Song without Words"

论门德尔松《无词歌》的音乐与演奏特色及教学意义

"a leading conductor and concert pianist as well as a composer, Mendelssohn's Mid-summer Night's Dream", "Violin Concerto in E Mi nor are well-known."

作为首屈一指的指挥，钢琴家及作曲家，德国的门德尔松创作了名曲仲夏夜之梦>及

Strauss did not blindly follow the Nazis' instructions; he refused to support the movement that forbade the German people from listening to Mendelssohn.

施特劳斯在任内也没有对纳粹完全俯首贴耳，他拒绝支持禁止日耳曼人听门德尔松音乐的活动；

Fairfield Porter: The Screen Porch, 1964

费尔菲尔德·波特:《纱窗门廊》(1964)