Outlaws of the Marsh

用法例句

Punctuations and Relevant Issues in the Analysis of the Verb-Verb Patterns in Outlaws of the Marsh;

《水浒传》中“一VV”的断句及相关问题

Outlaws of the Marsh and the People s Psychological Demands in China s Traditional Community;

《水浒传》与我国传统社会大众心理诉求

Cause Analysis of Violent Thoughts Reflected in Outlaws of the Marsh;

《水浒传》中的暴力思想之成因

On the Author of The Water Margin in Light of Shi Yanduan s Official Career;

从施彦端的“仕途”论《水浒传》的作者

On Effect of Biography of Records of Grand Historian on Narration of The Water Margin;

试论《史记》人物传记对《水浒传》叙事的影响

Taiwei Hong s Mistakenly Releasing Demons in the Water Margin Alluding Wang Anshi s Reform;

《水浒传》写洪太尉误走妖魔在于影射王安石变法

The Adverb "zui(最)" in the Novel Water Margin;

《水浒传》里的副词“最”

Water Margin:gender description of Ecological Implications;

《水浒传》:两性描写中的生态意蕴

On the Religion Attitude in the Narrative of Water Margin;

《水浒传》文本叙事中的宗教态度

On Acceptance of Shuihuzhuan Commented by Jin Shengtan in Qing Dynasty and the Republic of China;

清及民国时期对金批《水浒传》的接受

On the Image of the Immoral Woman Who Dies for the Love in Shuihuzhuan;

论《水浒传》中为爱情而死的“淫妇”形象

On the Character of Liangshan Moor Uprising——The Research Contend of Shuihuzhuan;

漫谈梁山泊起义的性质——《水浒传》研究争鸣

On the Ancient Social Idea of China Lower Strata Masses in All Men Are Brothers;

从《水浒传》看传统中国下层民众的社会理想

The Art of Figures of Speech in Jin Shengtan s Comments on All Men Are Brothers;

金圣叹《水浒传》评点中的比喻艺术

All Men Are Brothers:A Translated Version with Post-colonialist Color;

从人物的再现看赛译《水浒传》的后殖民主义色彩

Study on Shi Qian s Characteristics,Vitality and Revelation in the Novel of Water Margin;

《水浒传》小人物时迁的塑造、价值及启示

The Overseas Interpretations on Water Margin;

《水浒传》文学意义的海外阐释

A Structural Observation on the Wording of "X+地" in the Novel Water Margin;

《水浒传》中“X+地”结构考察

The Evolution of the Heroes of the Outlaws of the Marsh from Yuan Za JU;

水浒英雄在元杂剧与《水浒传》中的嬗变

The Comparison of the Play of Shuihu and All Men are Brothers;

元杂剧水浒戏与小说《水浒传》比较

Relationship between Shuihu multi-operas in the Ming Dynasty and Water Margin;

明代水浒杂剧与《水浒传》的关系度

An ideological research and analysis of Water Margin in 20th century;

20世纪《水浒传》思想研究及《水浒传》思想论析

The Cohesive Relationship between Shu Hui Drama of the Yuan Dynasty and Shui Hu Zhuan;

试论元代水浒戏与《水浒传》之间的相承关系

Unique Exploration of the Artistic Charm of Book of Water Margin--Some Simple Comments about the Individual Legal Matter of the Book of Water Margin;

《水浒传》艺术魅力的独特探索—简评《〈水浒〉公案论》

Yuan Dynasty Opera Based on The Water Margin and the Early development of Its Poetic Structure;

元代水浒戏与《水浒传》诗性结构的先期发育

The Comparison of Female Characters in the Play of Shui hu And in the All men are brothers;

水浒戏中的搽旦与《水浒传》中的女性形象

The Interpretation of Shuihu Drama on the Water Margin in Ming Dynasty and Its Positive Significance

明人水浒戏对于《水浒传》的诠释及其积极意义

Outlaws of the Marsh and the People s Psychological Demands in China s Traditional Community;

《水浒传》与我国传统社会大众心理诉求

Analysis of HONG Ji-tong s Biography and its comparative research with The Water Margin;

《洪吉童传》简析及与《水浒传》的比较研究

All Men are Brothers:Heredity and Variation of the Chivalry-admiring Thought;

《水浒传》:尚侠思想的遗传与变异

Attitudes to Feminie Revealed by Water Margin and Chinese Traditional Culture;

《水浒传》与中国传统文化中的女性观

On "The Water Margin" on the Legal Case of the Inheritance and Development of Novel

试论《水浒传》对公案小说的传承与发展

The Hero's Beginning and Destination of "Outlaws of the Marsh"--new ponder on "Outlaws of the Marsh" of heroic nature debate

水浒英雄的起点与终点——《水浒传》英雄性质论争新思考

The Folk Features of Seular Ethics and Group Selection of the Water Margin Heroes--and on the Brotherhood in the Water Margin

世俗伦理的民间特征与水浒英雄的群体选择——浅论《水浒传》的“义”

All Men Are Brothers：Blood of the leopard》-----

四海之内皆兄弟：豹子的血 《水浒传》

Lin Chong, the hero of The Water Margin, is chief military instructor of eight hundred thousand imperial guard troops.

《水浒传》中的林冲是八十万禁军教头。